Confederate newspapers were beset by troubles: paper shortages, high ink prices, printers striking for higher pay, faulty telegraphic news service, and subscription prices insufficient to support their operations. But they also had the potential to be politically powerful, and their reporting of information—accurate or biased—shaped perceptions of the Civil War and its trajectory.

The Atlanta Daily Intelligencer Covers the Civil War investigates how Atlanta’s most important newspaper reported the Civil War in its news articles, editorial columns, and related items in its issues from April 1861 to April 1865. The authors show how The Intelligencer narrated the war’s important events based on the news it received, at what points the paper (and the Confederate press, generally) got the facts right or wrong based on the authors’ original research on the literature, and how the paper’s editorial columns reflected on those events from an unabashedly pro-Confederate point of view.

While their book focuses on The Intelligencer, Stephen Davis and Bill Hendrick also contribute to the scholarship on Confederate newspapers, emphasizing the papers’ role as voices of Confederate patriotism, Southern nationalism, and contributors to wartime public morale. Their well-documented, detailed study adds to our understanding of the relationship between public opinion and misleading propaganda

Sometimes a rock concert is more than just an event. Every so often a band’s performance becomes a musical milestone, a cultural watershed, a political statement, and a personal apotheosis. On any given night a rock concert can tell the truth about who we are, where we are, and what’s going on in music and life right now. In The Decibel Diaries, Carter Alan, longtime DJ and music director at WZLX in Boston, chronicles a lifetime in rock with a tour through fifty concerts that defined such moments—from Crosby, Stills, Nash & Young playing in the rain when Richard Nixon resigned to Talking Heads and the first stirrings of punk in the basement bars of New York and Boston to the bluegrass angel Alison Krauss and the adaptable veteran Robert Plant forging a plangent, plaintive postmodern synergy. For each event Alan shows us what it was like to be there and telescopes out to reveal how this show fit into the arc of the artist’s career, the artist’s place in music, and the music’s place in the wider world. Taken together, The Decibel Diaries is a visceral and visionary portrait of nearly fifty years of rock ’n’ roll.

Marcha is a multidisciplinary survey of the individuals, organizations, and institutions that have given shape and power to the contemporary immigrant rights movement in Chicago. A city with longstanding historic ties to immigrant activism, Chicago has been the scene of a precedent-setting immigrant rights mobilization in 2006 and subsequent mobilizations in 2007 and 2008.

Positing Chicago as a microcosm of the immigrant rights movement on national level, these essays plumb an extraordinarily rich set of data regarding recent immigrant rights activities, defining the cause as not just a local quest for citizenship rights, but a panethnic, transnational movement. The result is a timely volume likely to provoke debate and advance the national conversation about immigration in innovative ways.